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Grateful Dead Live at Red Rocks Amphitheater on 1984-06-13




Disc One/Set One:
Hell in a Bucket
Candyman
C. C. Rider
Ramble on Rose
My Brother Esau
Cold Rain and Snow
Don't Ease Me In

Disc Two/Set Two:
Intro
China Cat
I know You Rider
Women are Smarter
Ship of Fools
Let it Grow
Drums

Disc Three/Set Two Cont:
Space
The Wheel
I Need a Miracle
Stella Blue
Sugar Magnolia
E: Baby Blue


Collection GratefulDead
Band/Artist Grateful Dead
Date June 13, 1984
Venue Red Rocks Amphitheater
Location Morrison, CO

Source *Nak CM304's>Sony D5M>Sony D5M(XLIIS) At SBD#, Stand at 7 feet.
Lineage Sony D5ProII>Lunatec V3(analog out)>722@24/96 722>Adobe Aud.>16 Bit>Cdwav>flac16.
Taped by Tony Suraci and Mike G
Transferred by Tony Suraci


Notes

* Mike G.'s mics. I was plugged into his D5.
# setup in the typical Red Rocks section, directly behind board.

Reviews

Reviewer: trailuser - - June 13, 2014
Subject: 84 auds
Sound soooooo good.. why is that?

This is an excellent audience recording.. sounds like I'm right there 3rd row center stage all over again. Thank you Mr Taper!

Brent's Hammond B3 and rotating Leslie sound so fucking good on the build up to the end of Cold Rain & Snow .. his sound is just pushing the band.

I can't wait to dig into this aud more later...

The Drums > Space segments at these 1984 Red Rocks shows are a psychedelic dream come true.

And the Stella Blue is just downright spooky.. witchcraft was in the air that night..

"and when you hear that song, come crying like the night..."
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Source: Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin
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Source: Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes;
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename
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Source: Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo